It creates severe tension and anxiety right from the start where characters never feel safe and it’s for this level of uneasiness that Whannell’s film takes the top spot. The Invisible Man is fantastic when it comes to the special effects, performances, and the score, but beyond everything else this film is just scary. For men, the presentation of so many examples, in so many fields, is. For women I am guessing many examples will not be surprising at all but make clear that one’s personal experience is the norm and therefore to provide support for confronting bias. Whannell takes many liberties with the source material, like making the invisibility be a suit that can be taken on and off at will, rather than a permanent curse. Invisible Women is a powerful book for women and men alike. The most effective thing about Whannell’s movie is that it’s really a story about toxic relationships and emotional abuse that gets filtered through the old Invisible Man idea. I first examine what it means to be Indigenous through the fluctuation of Indigenous categorizations in official. It may seem trendy to list Leigh Whannell’s most recent take on the Invisible Man as its best adaptation, but the director has truly crafted a powerful, unforgettable piece of horror. Chapter 1, Invisible Women, discusses the intersectionality of sexism, colonial racism, and conceptual statelessness to demonstrate the political situation of Indigenous women.
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